When KILL la KILL, Log Horizon and Golden Time ended a couple of weeks back, I was staring at the upcoming season of shows, unable to figure out which, if any, of these series' I'd bother with. It's incredibly difficult to judge anime by its cover (or a short synopsis) because so many of them sound so cliche.
Fast forward to today and I've started seven new shows. I don't think all of them are going to last the season, but they've all done enough so far to keep me at least interested. The highlights so far have been Mekaku City Actors, Akuma no Riddle and One Week Friends, although both are running a fine line.
Only the first episode of MCA has aired so far, but it's got a really intriguing undercurrent that I can't quite put my finger on. It's all questions and no answers so far, and the Tumblr frenzy it's inspired over the months leading up to its release gives me pause. Still, it's visually arresting and the characters introduced so far aren't too offputting, plus the flash-forwards(?) and other assorted weirdness will keep it on the list for a while.
One Week Friends is a lot more predictable: it's going to be this season's feel trip. The plot - a girl forgets her friends at the start of each week, but one classmate determines he's going to befriend her anew each Monday - isn't logically sound, but it's a joy to watch when it's not heartbreaking. It's going to destroy me, but I think I'm going to love every second anyway.
The premise of Akuma no Riddle is horribly cliche, and its execution, if you'll forgive the pun, doesn't inspire a whole lot of confidence, but I've really liked the two episodes I've seen so far. By far the biggest thing it's got going for it is the near-total absence of fanservice (apart from the regrettable OP sequence), which is especially surprising in a show about teenage assassins in an all-girls high school.
Still, the World is Beautiful is a fantasy shoujo series, which is either going to be incredibly good or disappointingly awful depending on how the relationship between the protagonists develops. Nike, the fourth princess from the Principality of Rain, has been nominated by her sisters to travel halfway across the world to marry the Sun King, a power-mad dictator who also happens to be just a child. It's difficult to see how romantic they can make this relationship considering the age gap, but it would also be weird to see it as maternal (especially considering she's legally his wife?).
On the chopping block, much to my surprise, is Studio Bones' mecha epic Captain Earth. Its dialogue is offputtingly dense without actually achieving any exposition, and the various layers of coming-of-age drama, corporate conspiracy and intergalactic war haven't gelled for me yet. It looks stunning, which shouldn't be unexpected considering the studio, but it's not clicking.
Likewise, Brynhildr in the Darkness is feeling a bit frustrating. Faced with a prediction of his death (from a transfer student who may or may not be a deceased childhood friend), our protagonist... tries to fulfil it in order to disprove the concept of fate? I don't really understand what his motivation was. This one comes from the writer behind Elfen Lied, so I'm not expecting great things.
The last show on my menu is Ping Pong The Animation, which is surely the weirdest-looking on the schedule. It seems, from the first episode, to be a pretty basic sports anime, but the visuals alone have intrigued me - they've got to be pretty confident in the story to have such offputting character designs and sloppy - but incredibly energetic - animation. I don't expect it to chart new territory, but fingers crossed it'll keep things interesting enough to be worth the bandwidth.